#30 coins season finale explained series#

We had a good team onboard for this series that did iteration after iteration until they got the look right. When it came to the characters, that was compositing. How do we manage to not get lost, because this is a Baroque hall, so everything is essentially the same?’ We set different camera projections for each mirror so we could work and modify them.

For me, the first impression was, ‘This is cool. We started to look into that scene when we got the edit. “The hall of mirrors was one of my favorite locations. It was all achieved in CG.” Another key setting takes place in a hall of mirrors with every one of them leading to a different world. There was a lot of detail, design, and little pieces that we needed to get into that cathedral to make what Álex wanted. “We had the steps from a big square in Madrid and had to build everything else out. “Once we figured out what they wanted in concept, we had to get the whole idea of the environment ready,” explains Peralta. The underground cathedral was a CG-heavy environment. There was enough time to work on the pipeline we were looking for in pre-production.” We built a different infrastructure of the studio with a faster network and bigger render farm. Our TDs fine-tuned various tools that we needed to start working on 30 Coins. We were able to work with him to organize the shooting so it gave us all of the plates and materials needed to deliver these huge number of shots. Everything from the production design, cinematography, directing and horror props in this show is excellent. The latest from Spanish horror master Alex de la Iglesia re-imagines both horror and religion. If you're in the U.S, the season finale was tonight. Álex knows about all of the processes involved with post-production and visual effects. 30 Coins on HBO Max season finale, what an amazing show. Working with more or less 90 artists, visual effects coordinators and visual effects editors, and all of the stuff involved with the shoot, it was incredible traveling through the world imagined by Álex de la Iglesia as he has a very creative mindset. In the last episode, we have more than 400 shots. In the end, there were more than 2,000 shots. “We spent 18 months working on it, and there was six months of shooting. “ 30 Coins was an amazing challenge,” states Basile. “Curro Muñoz, from Deluxe Spain, was the main visual effects supervisor who worked alone during the shooting and on most of the sequences in the show.” “Deluxe Spain managed all of the steps of the post-production process from dailies, color grading and editing,” remarks Dario Basile, Senior VFX Producer at Deluxe Spain.

Montaner and Silvestre are both very attractive, but the sexual tension between Elena and Paco gets tiresome before the first episode ends, and the creators drag out the tedious love triangle between the pair and Paco's ambitious wife Merche (Macarena Gómez), who is constantly nagging him about maintaining his political image and doing what’s best for their portfolio of businesses (including a hotel and a slaughterhouse).Deluxe Spain was responsible for 80% of the visual effects, with Baraboom! Studios handling the previs, techvis, postvis and final creature animation. 'This is like a real soap opera,' grumbles a random bar patron in a later episode - when the characters themselves are complaining about the plot, that’s a bad sign. When Vergara heads to Rome to confront the conspiracy head-on, the show splits in two, and his immersion in a Da Vinci Code-like underground feels disconnected from the small-time troubles Elena and Paco take on back in Pedraza, along with their growing attraction.

RELATED: Everything Coming To HBO Max January 2021Ĭreated by cult filmmaker Alex de la Iglesia ( Witching and Bitching, The Day of the Beast, The Last Circus) along with his frequent writing partner Jorge Guerricaechevarría, 30 Coins is a sprawling mess, eventually encompassing a worldwide conspiracy while also devoting substantial screen time to small-town soap opera.

30 coins season finale explained